We run Maya on the Mac for our 3D work, and if we need to, we can use Boot Camp to run any Windows-based app.” QuickTime is the de facto delivery and review medium for our facility. We love Final Cut Studio - we use it for storyboard and layout animatics. “But since the release of OS X, and more recently the incorporation of Intel processors, they’ve represented great flexibility for us. “We’ve always used Macs, and we have tried to include them in as much of our production as possible,” says Vanzo. Today the studio uses Macs in every aspect of production: office work, storyboarding, film editing, and 3D animation. Soon after, he became the head of all things technological, and oversaw the studio's transition from early Silicon Graphics machines to Windows-based PCs to Macs. Gregg's brother Scott Vanzo joined the studio in 1993 to set up digital ink-and-paint and camera production facilities. The studios quickly earned maverick reputations for their work on edgy shows like The Ren and Stimpy Show and Beavis and Butt-head, as the staff perfected cutting-edge techniques like non-photorealistic 3D rendering ![]() Rich Moore, former director on The Simpsons and supervisor for The Critic, completed the core team in 1995. Claudia Katz joined Rough Draft in 1994 to produce The Maxx, and later became a partner. Gregg Vanzo founded Rough Draft in a Van Nuys garage in 1991 he and his wife Nikki established Rough Draft Korea in Seoul shortly thereafter. There simply isn't another platform out there that can do as much as the Mac." Every Mac in the studio can do what we need it to do. ![]() An iMac can be an office machine one day, and the next day it can be put into production. ![]() "The work we do involves everything from traditional 2D animation to 3D CGI to video editing. "Macs are extremely flexible, and that's key," says Scott Vanzo, Director of CGI and Chief Technology Officer at Rough Draft. Rough Draft Studios produces a staggering amount of animation - and its assembly line is 100% Mac. Here’s how he held up.And Rough Draft is still going strong: The studio produced half the animation for The Simpsons Movie, the soon-to-be-released final installments of Futurama, and Comedy Central's Drawn Together. Over the phone, on a cold call, I subjected the genial Jarvis to rapid-fire questions about his smash burger details and philosophy. The plan is to stay until the year’s end, then consider the next step. Thursday, August 27, taking over the food cart at Uptown Beer Co on SW Scholls Ferry Road. Now, Jarvis and Wilcenski are test-driving Portland as a possible permanent home. But he went up to Seattle during the pandemic, and the duo reunited with a new model, the Rough Draft Burger Shop, turning their love of burgers into another successful pop-up and possibly a future. On days off, the fast friends launched a fine dining pop-up, Rough Draft, known for a “what the hell? we’re having fun” approach and, according to another Seattle publication, the Stranger, some “serious magic.” Jarvis moved to Portland three years ago. ![]() Some nine years ago, bartender Nick Jarvis and Aaron Wilcenski, a playful cook, met in the food trenches of famed Seattle restaurateur, Tom Douglas.
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